Longing for the past or experience to deal with and reexamine it can also call nostalgia. Gene was

Local documentary watch repair calgary film season is complete. Festival "DocAviv" will open in early May and will begin a new round of vintage new year, and some will be followed by the Jerusalem Film Festival. Traditionally one can point to a trend Israeli watch repair calgary Slthrot B"dokavib "reach more surprising films like" When my eyes "or" Home Movie ", while in Jerusalem for the first time present the most important Israeli documentaries of the year. Last year there were two films nominated Israelis watch repair calgary arrived, "Five Broken Cameras' and 'gatekeeper'. The first has been elaborated watch repair calgary many second and now I limit myself to saying that effective film may have been carefully watching the pre-premiere screening was clear he was going to be commercially successful. Recently published film distributors film for more than a thousand spectators in the country, and we were told the box office success in the United States.
Another film came to Jerusalem last summer and won the documentary directing is "Heaven" by Ran Tal. This is one of the most beautiful documentaries outgoing season without my coverage will not be complete. The film was screened Cinematheques for a few weeks and won many compliments, but still far received attention from two Academy Award nominee.
The film focuses on "Garden of the three" better known by its Arabic name "Sahne". Nature in the popular resort integrates with development work from the fifties made by Tichnonm of Lipa Yahalom watch repair calgary and Dan Zur. This striking film is a visual richness of the resulting bright colors, lush vegetation, the unique color of the water is rich in minerals and critics watch repair calgary instead. Tal told as a child from a nearby kibbutz HaShlosHaSakhne was central to the landscape of his childhood, but has not been there more than thirty years until that visit had brought the idea to make a film that will focus on the garden. Entering kindergarten Tal felt that he wanted to stay and look at people and stayed there for two years. In fact, the entire plot takes place in the property of the site.
The analogy between the lush garden paradise walled clear. Also suitable watch repair calgary position according to the sources. Is mentioned in the Babylonian Talmud: "If heaven watch repair calgary is the land of Israel, Beit She'an Valley Open." Beyond formal meaning paradise has parallel deep meaning to me Phone is driving the entire project. Paradise is the archetype of utopia. Level where it is related to the experience of the person for the purpose of even more beautiful environment naturally through the development landscape. watch repair calgary This relates to the Zionist watch repair calgary enterprise, it can be said that is utopia watch repair calgary itself. Even the characters and stories that focus can be placed in parallel partings trying to get redemption and failure to exercise it. Some of monologues characters degrees longing to return for a moment before parting or ask themselves what would make him the object of their love of the past was a casual way.
Longing for the past or experience to deal with and reexamine it can also call nostalgia. Gene was the director's childhood landscape looks like the time has not stood still. Towards the end of the film combined archive footage watch repair calgary Sequence of several periods, and all of the scenery looks almost identical. Nostalgic element existed Tal's previous film "Children of the Sun". But my question TEL seeks to distinguish between a film that touches the past movie nostalgia or, as he answered, "If nostalgia is nostalgia nostalgic film is not so." Deemed watch repair calgary "Children of the Sun" is a nostalgic film despite being made up from the connection of archival footage accompanied by the memories of those who were children at the time. Stahl had seemed rather see an expression of a kibbutz in Zionism. When the kibbutz Zionism as each is a utopia, as this reveals a garden.
Tal sees something in a major movie film, calling it "Colaz'istit aesthetics, cinematic syntax for creating a material that not only decorates it." Tal's quest for beauty is extraordinary and unique local cinema contemporary documentary cinema in general. At this point the film reminds of old documentaries today may be perceived propaganda films. As a young director told me in a conversation about the film "When such a flood of beauty, I raise an eyebrow." But unlike those old movies film has a critical dimension, and there is only a choice characters actions. Here we should mention in addition to the structure of film photography and editing unconventional hero according to which no central focus, but a mosaic of characters gene contains. Structure keeps the place itself all the time in the center.
Select Phone gene regulars popular types. After a few of them due to time their visit to the garden watching them in situations when visiting Russian-speaking as rich in music who wish to vacation, anxious children often experienced first rock cliff jumping into the pool or filled with pathos closing ceremony of the summer camp for children ancient Greek style with seven empty. Other characters appeared only videos still short underpins the sense of time frozen still. Most photographed smiling and looks flattering photograph them. Choice which seems designed to convey the diversity of the human fabric of zoo visitors not only to decorate the film. In addition to the main characters have been selected end time Tal larger photo. For selected appears visit the garden is a very personal experience. Some of them belong to the group and some of them come to the garden alone regularly, but they all find in the garden or visiting in Stahl finds a way of dealing with wounds and scars caused by separation or loss.
Those selected Tal introduced seemingly as they do when visiting the garden without any interference when he later added to these sections Weiss U. Audio clips recorded the homes of each of the characters to them. To Tal came alone without a camera with a recording device only. The director was not satisfied with the successful casting of characters but self-conscious folk and their weaknesses. He aspired to stories accurately reflect the extent of their experience. The technique of recording real listening homes allowed. It has a depth of intimacy unlike stereotypical titles known to us casting of reality shows similar figures. All stories are sad and sometimes sounds a literary text, as in the case of the image of the first man appears saying "the body