The Gilbertos - The Eurosambas 1992-1998 (Midsummer Madness, 1999) Thomas Pappon is the Brazilian m

Luiz Melodia - Contemporary Wonders (1976, Som Livre) For those who love Brazilian music and names like Jorge Ben, Seu Jorge, Jards Macalé or Tom Zé Luiz Melodia should know. Although still noted here some influence of the Tropicália (or psychedelic music with too many hours of sunshine in the head) movement, Melody goes exploring and adding colors to Rock, Blues to waddle Samba, Rock the years 60/70 Roberto Carlos The Jalopy immortalized in the bossa nova. Each theme has its own arrangement, listen up sections of metal drumming, synths etc. Anyway, the disc name still makes sense.
Fri Church - Growing Over (2011, Load) The debauchery of rock hit the streets, hawking angry guitars as did the Birthday Party. Post a disco-punk with cavernous remember the echoes of voices 80s One element that stands out in this work has to do with the final output, which shoots low to the forefront and let the guitars send distortion. The Church Fri differentiate themselves by becoming almost psychedelic swinging slower rhythms, instead of carrying on the accelerator of Garage Rock heavier.
Sealings / Lois Magic - Split (2011, Free Loving Anarchists) If you want noisy punk (almost at the limit of noise) injected distortion effects and quality first, then found two excellent bands to show you the way (especially these sealings). The Stooges school is burned how to build a clock without the right to respond in a faster and harder than Thee Oh Sees record ever made. On the other hand, we have Lois Magic that keep the pedal down, risking a record almost Shoegaze, incidentally formula of My Bloody Valentine distort wonderful melodies is well explored here. Search and Destroy!
The Gilbertos - The Eurosambas 1992-1998 (Midsummer Madness, 1999) Thomas Pappon is the Brazilian musician who also played how to build a clock the Fellini group and after having gone to Europe, decided to make a record that results in cultural miscellany. If on one hand the recording is lo-fi (home recording with the right rhythm box and everything you are entitled to), some subjects seem to occupy how to build a clock a non-place, how to build a clock between how to build a clock the Brazilian tradition and experimentation that did so well Arto Lindsay. Here we mostly acoustic songs, how to build a clock always with homesickness, a written tradition of João Gilberto letter. A pop exercise that demand different arrangements and melodies, looking uneasy in near silence, how to build a clock remembering how to build a clock other brilliant names of Brazilian music such as Walter Franco.
2014
"... I am very happy because the end ...