Thursday, June 19, 2014

HOME NEWS INTERVIEWS ARTICLES NEW RELEASES TOUR PROGRAM RESPONSES PLAYLISTS AUTHORS FILE ASSEMBLIES


HOME NEWS INTERVIEWS ARTICLES NEW RELEASES TOUR PROGRAM RESPONSES PLAYLISTS AUTHORS FILE ASSEMBLIES Avant-Prog Crossover / Alternative Prog Experimental / Avant-garde metal Heavy Prog Jazz Rock / Fusion Neo-Prog pam00423 Post / Math Prog Rock Progressive Electronic Progressive Folk Progressive Metal Psych / Space Prog Symphonic Prog Prog Related pam00423 AZ
The first time I listened to "Dark Side of The Moon" and even on vinyl I was up and down sixteen years. As strange as it may seem, the first hearing was not very thrilled. Eventually I decided to copy the album to tape, to give him another chance ... Of course then it was common with that of many music fans: the dark side of the moon fascinated me and influenced decisively aesthetics pam00423 and my mindset. It is this confrontation with songs, albums and artists is one of the most important benefits of music: to appreciate, to reject, re-evaluate, in short, to experience a, shall we say, listening adventure. And some of the most beautiful ... Auscultatory adventures offer artists and albums pam00423 of progressive rock, as an inherent characteristic pam00423 of this genre is a culture of inclusiveness and eclecticism, which brings together musical genres and styles prima unmatched view and contradictory. So the Pink Floyd, which will mention many times in this article, the "Dark Side Of The Moon" and say pass the slow and emotional blues through deforming pam00423 filters psychedelic rock, the ambient and early electronic music .
At times, then, from the 70s until today, musicians and bands from diverse stylistic backgrounds came to a dimiourgikotati contact with progressive rock, offering very remarkable crossover chores. A typical example of the Cardiacs pam00423 that the album managed pam00423 a possible truce between the opposing sides of punk and progressive rock.
But even an unexpected combination that probably most listeners of progressive rock genre have not considered, as escapes in fields either voluntarily or involuntarily difficult approach is the one between progressive rock and electronic music. Of course not referring to the recognized leaders of the so-called progressive electronic, as the experimenters of kosmische musik and motorik rhythm or "our" Vangelis pam00423 Papathanassiou. Rather, I have in mind a new generation of musical artists from the dance electronica and have won approximately the last decade. Producers, DJs and musicians who have earned the electronic dance rhythm of four quarters, pam00423 reaching out to the dark side of the moon: the great adventure of progressive and psychedelic rock. Indeed, such a gesture to a sound older and analog is a highly critical view of certain people in this ILLUSTRATION, fashionable and industrialized part of the current dance music.
Of course, the interest of these artists has attracted mainly the scene of the 60s and 70s, when the progressive characterization aptly capturing a truly progressive perspective on rock music. Many of them ended up scratching the progressive and psychedelic rock, seeking the origins of dance music, which are generally identified in both the jazz and rock. Some turned their interest to the beginnings of electronic music, discovering drives-stations, such as those of Klaus Schulze, Manuel's Göttsching and Neu!. This shift is also associated with the great love of these artists on vinyl, indeed most of them are DJs, known for their unique and incompatible choices to the decks. Of course, these options often include compositions and forgotten and controversial timelessness and value, which date back to the late 70s, when disco had dominated the music scene. Indeed, the majority of these artists included in the wider revival of disco sound, which flourished in the first decade of the 21st century, but continues successfully today, considering releases like last year's commercially successful album and quality of Daft Punk, "Random Access Memories ".
However, the dominant influences of artists are talking not detected in both the commercial disco, as in most experimental and underground offshoot, the cosmic disco. H cosmic disco developed since the late 70s to the mid 80s, in clubs of northern Italy, such as Cosmic which naming and the whole sound. There, DJs like Danielle Baldeli, not only "teased" orchestral versions disco tracks, which usually occupies the second side of vinyliakon singles, but generally served to patrons of the club, which most aircraft

No comments:

Post a Comment