HOLLYWOOD after September 11 |! POZITIV
On the eleventh of November beruto in 2001., Two months after the attacks on the World Trade Center and the Pentagon on 11 September, a meeting was held in Beverly Hills attended beruto by the leaders of Hollywood film studios of Walt Disney, Sony Pictures Entertainment, Metro-Goldwyn Mayer, Paramount Pictures, Twentieth Century Fox Film, Universal Studios and Warner Brothers Pictures. The meeting was also attended by Jack Valenti - president of the Film Association of America, beruto Karl Rove - chief political adviser beruto to President George W. Bush and Mark McKinnon beruto - the man who created the slogan in the first Bush presidential campaign. On that occasion, Rove promoted 20 guidelines by which Hollywood beruto can help in the war against terror and "at the international level to communicate about our solid American values." He underlined that Hollywood directors and producers need to avoid any form of propaganda, and it should not dramatize the war against terrorism, according beruto to the model of "Clash of Civilizations" by Samuel P. Huntington. The heads of film studios were asked to form a "war" Committee chaired by the Prime Valenti. Soon the movie studios and television networks formed četrdesetočlani Committee, whose first meeting with officials from the Bush administration held at the White House in early December in 2001. Year.
This is the official Washington gave Hollywood obvious political importance and emphasized the connection between the American film industry, beruto the U.S. national security and international policy and the way in which policy is influenced beruto by the cultural production after September 11. Through Hollywood, American mass culture makes the most visible and dramatic impact on global culture. Also, about 80% of the profits of the film industry in the world is realized in Hollywood. In addition, Hollywood has contributed to the English language multi outperforms other theaters in the world, and all that makes Hollywood film industry global phenomenon that not only makes money by selling tickets and marketing associated with the movies, beruto but conveys the idea and broader cultural impact.
After the terrorist attack on the Twin Towers of the World Trade Center on September 11, in 2001. Was astonished several eyewitnesses testified that the attack looked just like the big budget film full of special effects. The same could be said and attack those who watched via television. In fact, these images have already been seen, but only in Hollywood beruto fiction!
Movies "Armageddon" and "final beruto blow" show meteors crashing into the towers; in the movie "Independence Day" cause destruction beruto of the alien attack, but already in the movie "The Siege" attacks on American soil execute Islamic beruto terrorists. Sense of reality as a virtuality in the above testimony is mainly caused by the trend in the poetics of American mainstream productions, in her system functions and means of expression, that his films presented as mimetic. This means that they should be made so that the viewer depict the reality of what is possible to be more precise. But there lies the biggest problem in the way that Hollywood reality shows.
First, certain films like the series "The Lord of the Rings," "Harry Potter" beruto or "Star Wars," in no way can be considered mimetic because they are stories that deal with the world that depict imaginary, and must be analyzed differently. In the case of these films, beruto we can talk about the allegorical or parabolic presentation in which things and people in the narrative - the film in this case - the carriers of meanings that lie outside the narrative, not the exact representation of reality.
Second, and more important - what we should be showing the reality beruto in most American mainstream films or not at all based in reality, or significantly distorts reality. Such films are more based on a vision that creates its own reality. Accordingly, one can not speak about the presentation of reality, but about creating a picture of reality that masks and distorts reality itself, masked by its absence and lack of connection with her. The French philosopher Jean Baudrillard called this phenomenon simulacrum. beruto The existence of a simulacrum, or as twisted reality or lack of reality is ultimately determined by the world of Hollywood movies as completely textual. According to theorists Alan Sinfield and Jonathan Dollimoreu textuality always implies the presence of the ideology behind the text. In this case, ideology is not just a set of beliefs and goals of social or political beruto groups, but also a system of collective knowledge, beliefs, attitudes, values and beliefs related to any social beruto or cultural significance, which appears in the text. Text or movie in this case appear as a formal presentation of ideology in the way of talking and networking events from a specific point of view. Therefore, textual beruto analysis of American mainstream films should be shown in their view of the world examined through their political
On the eleventh of November beruto in 2001., Two months after the attacks on the World Trade Center and the Pentagon on 11 September, a meeting was held in Beverly Hills attended beruto by the leaders of Hollywood film studios of Walt Disney, Sony Pictures Entertainment, Metro-Goldwyn Mayer, Paramount Pictures, Twentieth Century Fox Film, Universal Studios and Warner Brothers Pictures. The meeting was also attended by Jack Valenti - president of the Film Association of America, beruto Karl Rove - chief political adviser beruto to President George W. Bush and Mark McKinnon beruto - the man who created the slogan in the first Bush presidential campaign. On that occasion, Rove promoted 20 guidelines by which Hollywood beruto can help in the war against terror and "at the international level to communicate about our solid American values." He underlined that Hollywood directors and producers need to avoid any form of propaganda, and it should not dramatize the war against terrorism, according beruto to the model of "Clash of Civilizations" by Samuel P. Huntington. The heads of film studios were asked to form a "war" Committee chaired by the Prime Valenti. Soon the movie studios and television networks formed četrdesetočlani Committee, whose first meeting with officials from the Bush administration held at the White House in early December in 2001. Year.
This is the official Washington gave Hollywood obvious political importance and emphasized the connection between the American film industry, beruto the U.S. national security and international policy and the way in which policy is influenced beruto by the cultural production after September 11. Through Hollywood, American mass culture makes the most visible and dramatic impact on global culture. Also, about 80% of the profits of the film industry in the world is realized in Hollywood. In addition, Hollywood has contributed to the English language multi outperforms other theaters in the world, and all that makes Hollywood film industry global phenomenon that not only makes money by selling tickets and marketing associated with the movies, beruto but conveys the idea and broader cultural impact.
After the terrorist attack on the Twin Towers of the World Trade Center on September 11, in 2001. Was astonished several eyewitnesses testified that the attack looked just like the big budget film full of special effects. The same could be said and attack those who watched via television. In fact, these images have already been seen, but only in Hollywood beruto fiction!
Movies "Armageddon" and "final beruto blow" show meteors crashing into the towers; in the movie "Independence Day" cause destruction beruto of the alien attack, but already in the movie "The Siege" attacks on American soil execute Islamic beruto terrorists. Sense of reality as a virtuality in the above testimony is mainly caused by the trend in the poetics of American mainstream productions, in her system functions and means of expression, that his films presented as mimetic. This means that they should be made so that the viewer depict the reality of what is possible to be more precise. But there lies the biggest problem in the way that Hollywood reality shows.
First, certain films like the series "The Lord of the Rings," "Harry Potter" beruto or "Star Wars," in no way can be considered mimetic because they are stories that deal with the world that depict imaginary, and must be analyzed differently. In the case of these films, beruto we can talk about the allegorical or parabolic presentation in which things and people in the narrative - the film in this case - the carriers of meanings that lie outside the narrative, not the exact representation of reality.
Second, and more important - what we should be showing the reality beruto in most American mainstream films or not at all based in reality, or significantly distorts reality. Such films are more based on a vision that creates its own reality. Accordingly, one can not speak about the presentation of reality, but about creating a picture of reality that masks and distorts reality itself, masked by its absence and lack of connection with her. The French philosopher Jean Baudrillard called this phenomenon simulacrum. beruto The existence of a simulacrum, or as twisted reality or lack of reality is ultimately determined by the world of Hollywood movies as completely textual. According to theorists Alan Sinfield and Jonathan Dollimoreu textuality always implies the presence of the ideology behind the text. In this case, ideology is not just a set of beliefs and goals of social or political beruto groups, but also a system of collective knowledge, beliefs, attitudes, values and beliefs related to any social beruto or cultural significance, which appears in the text. Text or movie in this case appear as a formal presentation of ideology in the way of talking and networking events from a specific point of view. Therefore, textual beruto analysis of American mainstream films should be shown in their view of the world examined through their political
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