Saturday, October 11, 2014

In the eighteenth century, the serenades were composed to serve as

The most famous watch repair san diego music from Mozart: watch repair san diego Eine kleine Nachtmusik | Euterpe - Classical Music Blog
April 9, 2014 The most famous music of Mozart: Eine kleine Nachtmusik by Amancio Cueto Jr., Analysis of work
Mozart: Die Zauberflöte K.620 - 14 Der Hölle Rache kocht in meinem Herzen (excerpt) (Otto Klemperer - Lucia Popp - Philharmonia watch repair san diego Orch.): Your browser does not support the audio element nor Adobe Flash Player.
But I keep supporting the assertion of title. And I think I am not alone, judging by the beginning of the movie Amadeus (1984), Milos Forman, the famous scene where Antonio Salieri presents to Father Vogler:
"Hey, I know this song!" - Is what anyone watch repair san diego would listen to these notes. But in fact they were not yet famous at the time Salieri lived: the work was not published until 1827, two years after the death of Salieri. And it's pretty much the work has never been played during the life of Mozart ...
In the eighteenth century, the serenades were composed to serve as "background music" for any outdoor event, watch repair san diego as well explained in my colleague Frederick Toscano watch repair san diego in his post about purges, Serenades and Amusements. Event organizers commissioned a song, and the composer wrote a little something there, nothing too serious because no one would even pay attention. The vast majority of 13 serenades watch repair san diego of Mozart were well written, Custom, but the Serenade 13 in G Major K.525 little watch repair san diego is known because there is no inscription on the manuscript or records of any event of the season in his letters. In August 1787 Mozart was writing the second act of Don Giovanni, and should have stopped work to raise an extra few bucks with the serenade.
At the time, Mozart kept a "Thematic catalog", where he wrote down everything that was made recently, along with the date and the first bars of the work. It was there that he named the work as Eine kleine Nachtmusik, sometimes translated as "A little night music", sometimes as "A small musical soiree". But if we understand Nachtmusik, literally "night watch repair san diego music" as music to be made at will under the serene, like a serenade serenade ... or ... you can assume that Mozart was not giving a title, but just noting something like "ah It's just a serenatinha "...
Serenatinha? The problem is that, around 1787, Mozart was at the height of his creative ability: any single thing he wrote, came a masterpiece. watch repair san diego For example, the 6 German Dances K.509 are February 1787; quintets in C Major K.515 wonderful and mysterious and dense in G minor K.516 are respectively in April and May 1787; in October of 1787 happen to premiere watch repair san diego the opera Don Giovanni K.527, which also features a mandolin to serenade in the second act; and the following year, Mozart also wrote symphonies 39, 40 and 41!
The song begins with a fanfare announcing the serenade. When the music starts, the first seven notes have a rhythmic sound pattern that, in principle, do you imagine that the music will continue following the same pattern, so O:
But then comes the first "surprise": the last two notes fleeing the pattern and point up to the treble. This is a very simple technique of composition, it is used to arouse interest of the listener and here, I believe, has hit the goal. Following, a listener already used in classical music would expect that the same phrase is repeated in the dominant, thus sounding O:
Mozart gives us another olé and makes notes fujonas point downward to the grave. The effect is amplified, and makes the listener watch repair san diego get stuck in music. Bingo: this is how it begins a hit song!
No good music to be beautiful, to the musicians that play is an ordeal! And if the music does not give you pleasure to touch her, she hardly sounds good. So Mozart serenade watch repair san diego spread in various sweets for the instruments, things that arouse the interest of the listener but not the performer musician watch repair san diego himself.
Viola, for example, is usually left in the background by composers because, tapping the "stuff" of music, it hardly be heard prominently. So, listening to the next section, we could imagine that violates touched only repeated notes:
Oops, looks like it got more interesting. But if you look good ... this viradinha viola have the same notes of the melody of the first violins, but are played watch repair san diego one note (an eighth note) before the melody. See if you can notice next audio; Here I put a piano doubling the viola left, and another pian


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