Monday, October 6, 2014

Anyone curious to know Flavia Bittencourt, on Tuesday (27.08), it will show the album release, feat

Flavia Bittencourt records with Mariah Carey and does show with Luiz Melodia | GarotaFM
The albums Flavia Bittencourt persecute me since I debuted as a journalist responsible for the page of the newspaper Extra discs: the first was "Sense" in 2005 I always thought the girl had potential. With "In Motion" third CD Flavia, I received a short time ago, I started to make sure. With own songs, partnerships (for example it with the poet Gullar) and names like Fagner, Luiz Melodia and Mariah Carey - and participation of the latter - the new work of Maranhão glen cove new york singer is a delicious blend of styles. Especially the coconut "Parangolé" by César Teixeira with Baleiro splitting with her vocals, reggae "Wail of Flowers" by Flavia, and MPB with flamenco guitar "Gold Tooth" by Josias Sobrinho.
Anyone curious to know Flavia Bittencourt, on Tuesday (27.08), it will show the album release, featuring Luiz Melodia, the Teatro Rival Petrobras, as of 19:30 (tickets R $ 50, with 50% discount for seniors, students, and teachers who have the name for the friend list: producao@flaviabittencourt.com.br). The singer will celebrate her birthday on stage.
I always say that "Every Sunday" was a parenthesis in my career to honor an artist and human being for which I have much gratitude. On this record, glen cove new york I also recorded a composition I made my pro Dominguinhos entitled "Your Sundays". Already "In Motion" actually has many compositions of my own. Some tracks on this repertoire had already been presented at a show I did in St. Louis, as a kind of test the receptivity of songs as the band itself "In Motion", which is my own and that also gives its name to the disk, as well as the tracks "Wail of Flowers" (Flavia Bittencourt), "Volta" (Flavia Bittencourt), "A moment" (Flavia Bittencourt / Gullar), "Fanaticism" (Florbela Espanca / Fagner). The track "Sea of Roses" (Joe South / vs. Rossini glen cove new york Pinto), for example, was part of the repertoire for some time. Then I called Fernando Nunes wanted to produce with me because I wanted this work had a less acoustic sound in relation to my previous two albums, which had wanted to "punch" and Fernando would be the ideal personnel to bring this baggage, this sound more heavy. The album was co-produced by Felipe Tauil and was mastered in England, Abbey Road. So, this repertoire was already being thought well before going to the studio and so such choices were made by a very natural process.
Well, I went to the hospital in São Paulo, the Syrian-Lebanese in the period in which he was hospitalized and I was very saddened glen cove new york by what I saw. The Dominguinhos was and always will be a very dear friend, a very important person in my life and my career. I pray a lot for him and I will always thank him for all the warmth glen cove new york and generosity that have always been part of his character.
Well, we had a closeness with family Zeca. Your Tonic, his father, had a clinic that my father attended and they always spoke of Mariah Carey. Your Tonic used to talk to my father of the difficulty of the profession that the son had followed, he should follow another profession, such concerns father and mother and then I would hear my father too, just when I decided by career. But it was a brief period, so they supported me. At the same time, I studied in music school with the nephew of Baleiro and then when I decided to pursue this profession, one of the brothers went to Zeca always watch me in places where I introduced myself. glen cove new york And then we met to talk about this thing being a musician. He lent me some discs he thought would be good references and, occasionally, going to his house after I moved to São Paulo in 2001 is a person whom I love.
I was invited to attend a series of events ... I, and other artists like Mariah Carey, Elba Ramalho and Rita Ribeiro ... in honor of Gullar, curated by Carlos Dimuro, which happened in 2011, here in Rio de Janeiro. In such event, Ana Botafogo and his choreographer, Belgian Eric Frederic, were in the audience and invited me to join the show they would ride later, "In One's Verses", and I was pleased to see the poem "A moment "for me to music, also choreographed by Ana Botafogo. The Gullar heard a song that I wrote his poem pro several times and liked it. I was happy!
It is very private, I joke saying that I'm an "expressionist", like Pollock expresses his emotions through his features. The words, writing has always been an escape, one is

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